![]() It was released in 1989 and was sold to Tektronix and went through a few owners until it was bought by Editshare in 2009. Upon further reading, I learnt that it was used to edit several feature films over the past 20 years making it almost the same age as Avid! I learnt, however, that this solution was designed with film editors in mind. Until then, I had thought that this was a new NLE (non-linear editing) that was trying to make its mark on the cutting scene and capitalise on the FCPX premature launch along with Premiere (FCP8). I had heard about Lightworks Pro, which was supposed to be released for the Mac. ![]() For my latest short film Central Market, a co-production between Bahrains Ministry of Culture and Enjaaz (a post-production and production funding support programme of Dubai Film Market) and my company Elements Cine Productions, I wanted to try something different before going into feature film editing and my own debut feature. Traditionally, when cutting a film, I have favoured FCP7 even when FCPX was first out, I still used FCP7 for drama and long documentaries. On location during the filming of Central Market. I still have Symphony installed somewhere, just in case, but rarely ever use it. Lately, Ive been using a lot of different tools in my workflow including FCPX, DaVinci Resolve and Smoke 2013. Ive dabbled a bit in Avid MC/Symphony but it never really grew on me because of the clutter. I have been using Final Cut Pro for most of my edits for the past 11 years. He shares his experience with BroadcastPro ME Ive dabbled a bit in Avid MC/Symphony but it never really grew īahrain-based filmmaker Saleh Nass explores the capabilities of the Lightworks Pro while editing his latest short film, Central Market. ![]() He shares his experience with BroadcastPro ME I have been using Final Cut Pro for most of my edits for the past 11 years. ![]() Bahrain-based filmmaker Saleh Nass explores the capabilities of the Lightworks Pro while editing his latest short film, Central Market. ![]()
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